Đan Lynh Phạm is a Vietnamese interdisciplinary artist and illustrator. Born in Vietnam and raised in Tulsa, Oklahoma, she received her BFA in Studio Arts from Oklahoma State University, specializing in watercolor and sculpture.
Guided by an analytical and intuitive approach, Phạm merges Vietnamese craft with contemporary techniques, reinterpreting cultural narratives through printmaking, installation, textiles, and sculpture. Her practice acts as a visual diary, intertwining 2D and 3D media to explore identity, socialization, cultural preservation, and generational sacrifice.
Phạm is a recipient of the Artist Creative Fund Grant and the OVAC Thrive Grant. Her work has been showcased in national and international exhibitions, including the Ogden Museum of Southern Art, Oklahoma Contemporary Center for Arts, Orange County Contemporary Center for Arts, and Wells Contemporary, alongside solo exhibitions across Oklahoma and Texas.
Artist Statement
Growing up as a Vietnamese immigrant, I navigated the tension between two cultural identities: one shaped by Confucian values of filial piety and the other by American ideals of independence and self-expression. At times, my heritage felt like a barrier to belonging, a quiet culture in a loud world.
With time, I came to see my heritage not as a limitation but as a source of strength. The sacrifices of my parents and ancestors became more than stories, they became legacies of resilience, love, and continuity. Preserving my culture has become a personal responsibility and a privilege.
My work functions as a visual diary that explore themes around identity, cultural preservation, and generational sacrifice. Using graphic language, vibrant colors, and intricate compositions, I merge traditional Vietnamese craft with contemporary techniques, particularly through printmaking, installation, textiles, and sculpture.
Each piece is methodically and intuitively planned, with patterns and symbols serving as bridges between the past and present. These visual elements carry narratives of displacement, adaptation, and survival. Through this process, I reconcile the dualities of my upbringing by creating work that honors my heritage and invites reflection on the broader immigrant experience. It becomes a space to process, preserve, and offer new ways of seeing cultural identity.